@buskersofglasgow – Sunshine with a Soundtrack.

In writing about music, and the music scene I always come back to my base belief that community movements in music trump 21st century individualism time after time. Carolyn’s genuine passion to propagate and support the musicians featured on the page is a perfect example of how working together with passion can create a sustainable side to grass-roots music.

It’s a testament to the times that we live in that the only time I hear music in a public space is when I go to Morrison’s. I would listen to the piped shop radio station, replete with various 80s hits, usually upbeat pish like Wham! and Cindi Lauper, lest something more pensive should make you consider shopping less or something.

In any case wasn’t expecting Joy Division or Mudhoney to accompany the buying of suspiciously cheap pineapples. This experience of hurried, masked, panicked, musical consumption, limited to aisles of beans or biscuits, is in my opinion quite representative of our musical dystopia; indeed from capitalism’s point of view, using music as a lure to keep consuming has been a depressing staple for a while.

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Ronan Keating – Voice of the Revolution

In the wake of a non-touring future courtesy of the UK government, the unlikely figure of Ronan Keating has become my voice of the revolution.

I have been playing music professionally since 2018, casually for 25 years before that, and listening to it all my life. Both my parents are musicians, in addition to various uncles, aunts, cousins etc. A proper musical family, but not as cool or commercially successful as the Jackson 5 or The Beach Boys. Anyway, to say that I have been immersed in music my entire life would not be an understatement, indeed it is the truth of the matter. From a young age, reluctantly I might add, I have been completely bathed in music.

To say this bathing was diverse, would be stretching the truth a little, being as it was heavily centred round classical music. From my philistine’s point of view, under the term ‘classical‘ I lump together the following: early music, baroque, surrealism, Benjamin Britten (whatever that is), opera, John Cage and that, shitey musicals from the 1930s, chamber music, and all associated offshoots. Basically, that is to say, all music that lasted longer than three minutes and sometimes had no words. Oh what tonic to the ears and attention span of a millennial adolescent!

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